{"id":18610,"date":"2023-07-26T12:54:20","date_gmt":"2023-07-26T17:54:20","guid":{"rendered":"https:\/\/patternenergy.com\/outriders-lheritage-du-cow-boy-noir\/"},"modified":"2026-01-19T13:39:36","modified_gmt":"2026-01-19T18:39:36","slug":"outriders-lheritage-du-cow-boy-noir","status":"publish","type":"post","link":"https:\/\/patternenergy.com\/fr\/outriders-lheritage-du-cow-boy-noir\/","title":{"rendered":"Outriders : L’h\u00e9ritage du cow-boy noir"},"content":{"rendered":"

Un cow-boy sur quatre dans l’Ouest am\u00e9ricain \u00e9tait noir, mais cette histoire a \u00e9t\u00e9 largement effac\u00e9e des r\u00e9cits populaires.<\/span><\/p><\/blockquote>\n

\"\"

Kortnee Solomon, par Ivan McClellan<\/p><\/div>\n

Le mus\u00e9e d’art <\/span>
\n Mus\u00e9e d’art Harwood<\/span>
\n<\/a> \u00e0 Taos, au Nouveau-Mexique, a pr\u00e9sent\u00e9 une exposition intitul\u00e9e \u00ab\u00a0<\/span>
\n Outriders : L’h\u00e9ritage du cow-boy noir<\/span>
\n<\/a>\u00ab\u00a0. L’exposition pr\u00e9sentait un \u00e9ventail d’\u0153uvres d’art et de photographies illustrant l’histoire souvent m\u00e9connue des cow-boys et cow-girls noirs dans l’Ouest am\u00e9ricain.<\/span><\/p>\n

\"\"<\/p>\n

Un cow-boy sur quatre dans l’Ouest am\u00e9ricain \u00e9tait noir, mais cette histoire a \u00e9t\u00e9 largement effac\u00e9e des r\u00e9cits populaires. \u00ab\u00a0Outriders\u00a0\u00bb vise \u00e0 mettre en lumi\u00e8re cet h\u00e9ritage et \u00e0 c\u00e9l\u00e9brer les contributions des cow-boys et cow-girls noirs \u00e0 l’image et \u00e0 l’histoire de l’Ouest am\u00e9ricain.<\/span><\/p>\n

\"\"

(de gauche \u00e0 droite) Ron Tarver, Nate Young, Ivan McClellan, Praise Fuller, mod\u00e9rateur Nikesha Breeze<\/p><\/div>\n

Le 22 avril, Harwood a organis\u00e9 une table ronde r\u00e9unissant plusieurs artistes de l’exposition, dont Ron Tarver, Nate Young, Ivan McClellan et Praise Fuller. Le panel \u00e9tait anim\u00e9 par Nikesha Breeze, du comit\u00e9 des expositions du mus\u00e9e, et s’est concentr\u00e9 sur le point de vue des artistes sur la culture des cow-boys noirs et sa place dans la soci\u00e9t\u00e9 contemporaine.<\/span>
\n<\/span>
\n<\/span>Ivan McClellan est l’artiste qui a pris la photographie \u00ab\u00a0Kortnee Solomon\u00a0\u00bb et qui a partag\u00e9 l’histoire de la cow-girl qui y figure. \u00ab\u00a0Kortnee savait exactement ce qu’elle voulait\u00a0\u00bb, a d\u00e9clar\u00e9 M. McClellan. Elle a dit : \u00ab\u00a0Je veux \u00eatre devant cet arbre, regarder par-dessus mon \u00e9paule avec mon chapeau baiss\u00e9\u00a0\u00bb et,\u00a0\u00bb dit McClellan en souriant, \u00ab\u00a0elle a r\u00e9ussi. Elle est meilleure que moi pour pr\u00e9parer une prise de vue\u00a0\u00bb.<\/span><\/p>\n

\"\"

Dave’s Last Ride, par Ron Tarver 1995<\/p><\/div>\n

Ron Tarver, un autre des artistes pr\u00e9sent\u00e9s, a racont\u00e9 l’histoire de sa remarquable photographie \u00ab\u00a0Dave’s Last Ride\u00a0\u00bb. Lors d’une visite \u00e0 un jeune cow-boy nomm\u00e9 Dave en 1995, Tarver a captur\u00e9 une image de lui chevauchant son cheval le long d’une cl\u00f4ture, avec un arc-en-ciel descendant jusqu’au sol dans le lointain.<\/span>
\n<\/span>
\n<\/span>Lorsque Tarver rendit visite \u00e0 Dave pour prendre des photos de lui, Dave marchait en boitant fortement. Son genou le g\u00eanait depuis un certain temps et il est all\u00e9 voir un m\u00e9decin pendant que Tarver \u00e9tait en visite. Malheureusement, Dave a re\u00e7u un diagnostic de cancer du genou et est d\u00e9c\u00e9d\u00e9 peu apr\u00e8s \u00e0 l’\u00e2ge de 21 ans.<\/span><\/p>\n

\"\"

L’artiste : Praise Fuller, photo d’Andrew Yates pour le Harwood Museum of Art<\/p><\/div>\n

Tarver a intitul\u00e9 la photographie \u00ab\u00a0Dave’s Last Ride\u00a0\u00bb en hommage \u00e0 l’esprit et \u00e0 l’h\u00e9ritage du jeune cow-boy.<\/span><\/p>\n

Entendre les histoires qui se cachent derri\u00e8re les photographies leur donne vie comme seule la vue peut le faire, et c’est un th\u00e8me que les artistes n’ont cess\u00e9 de mettre en exergue. \u00ab\u00a0Aujourd’hui encore, les cow-boys noirs ont du mal \u00e0 entrer dans les rod\u00e9os professionnels et \u00e0 concourir pour des prix \u00e9lev\u00e9s\u00a0\u00bb, a d\u00e9clar\u00e9 M. McClellan. Il lance un rod\u00e9o pour les cow-boys noirs \u00e0 Portland, dans l’Oregon, et esp\u00e8re qu’il contribuera \u00e0 attirer l’attention sur les athl\u00e8tes de rod\u00e9o qui n’ont pas toujours acc\u00e8s \u00e0 ce sport. <\/span><\/p>\n

Apr\u00e8s l’exposition, les artistes ont particip\u00e9 \u00e0 une r\u00e9ception avec les participants et ont eu l’occasion de discuter davantage de leur travail.<\/span>
\n<\/span>
\n<\/span>L’exposition \u00ab\u00a0Outriders : L’h\u00e9ritage du cow-boy noir\u00a0\u00bb est une exposition puissante qui met en lumi\u00e8re un aspect souvent oubli\u00e9 de l’histoire am\u00e9ricaine. En pr\u00e9sentant le travail d’artistes talentueux et en soulignant les contributions des cow-boys et cow-girls noirs, l’exposition offre une nouvelle perspective sur l’Ouest am\u00e9ricain et son h\u00e9ritage culturel.<\/span><\/p>\n

\"\"

Le toilettage, par Kennedi Carter 2020<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

Un cow-boy sur quatre dans l’Ouest am\u00e9ricain \u00e9tait noir, mais cette histoire a \u00e9t\u00e9 largement effac\u00e9e des r\u00e9cits populaires. Le mus\u00e9e d’art Mus\u00e9e d’art Harwood \u00e0 Taos, au Nouveau-Mexique, a pr\u00e9sent\u00e9 une exposition intitul\u00e9e \u00ab\u00a0 Outriders : L’h\u00e9ritage du cow-boy noir \u00ab\u00a0. L’exposition pr\u00e9sentait un \u00e9ventail d’\u0153uvres d’art et de photographies illustrant l’histoire souvent m\u00e9connue […]<\/p>\n","protected":false},"author":3,"featured_media":16133,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[523,657],"tags":[1123,820,574],"sub_site":[482],"class_list":["post-18610","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-etats-unis","category-histoires-de-lenergie-des-patrons","tag-culture-locale","tag-etats-unis","tag-nouveau-mexique"],"acf":[],"yoast_head":"\nOutriders : L'h\u00e9ritage du cow-boy noir - Pattern Energy<\/title>\n<meta name=\"description\" content=\"Le Harwood Museum of Art de Taos, au Nouveau-Mexique, a r\u00e9cemment pr\u00e9sent\u00e9 une exposition intitul\u00e9e "Outriders : L'h\u00e9ritage du cow-boy noir". 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